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The issue of (dis)continuity in the pre- and post-1989 situation has been a contentious one in the Czech public debate and intensely discussed particularly in the early 2010s. In the field of theatre, the question of (dis-)continuity has not been raised yet, though its answering might fundamentally shape future interpretations of the three post-1989 decades in Czech theatre. In general terms, Czech theatre historiography has devoted only minor attention to the issue of how the 1989 political ...