Examination of the Impact of Structural Elements of Islamic Calligraphy on World Cinema

This research examines the visual structure of several works of Iranian painting that depict spaces employing techniques resembling world cinema. The study explores the interconnection between artistic techniques and cinematic styles within Iranian painting, investigating simultaneity, imagery in place of realism, the absence of emotional expression in faces, and the direct gaze of subjects toward the viewer. The research considers how painting techniques might inform cinema, aiming to make these connections accessible to those interested in film and visual arts.