Acoustic Spaces

فضاه‌ای آکوستیک

Author: ژرار گریزه · 1985

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About this work

A six-part cycle composed between 1974 and 1985 that grows from a solo viola to a large orchestra with four solo horns in the Epilogue. Grisey derived its harmonies from the analysed overtone spectrum of sounds (Partiels takes a single low E as its starting point), making the cycle the central landmark of what came to be called spectral music.

چرخه‌ای شش‌بخشی که میان ۱۹۷۴ و ۱۹۸۵ ساخته شد و از یک ویولای تنها آغاز می‌شود و در «اپیلوگ» به ارکستری بزرگ با چهار هورن تکنواز می‌رسد. گریزه هارمونی‌ها را از تحلیل طیف فرادره‌ای صدا بیرون کشید (بخش «پارسیل» از نت می بم آغاز می‌شود)؛ از این رو این چرخه مهم‌ترین نقطهٔ عطف آنچه «موسیقی طیفی» نامیده شد به شمار می‌رود.

Listen

تماشا · Full cycle: Ensemble Modern and hr-Sinfonieorchester, cond. Sylvain Cambreling (orchestra's official channel) ▶ Listen at the source ↗

تماشا · Part 1: Ensemble intercontemporain with CNSMDP (ensemble's official channel) ▶ Listen at the source ↗

پشت صحنه · Official page: IRCAM Brahms – Gérard Grisey (biography, works, discography) ▶ Listen at the source ↗

پشت صحنه · Official page: Kairos label page: Grisey – Les Espaces Acoustiques (Asko Ensemble / WDR / Asbury) ▶ Listen at the source ↗

نقد · Tom Service · The Guardian ▶ Listen at the source ↗

نقد · François-Xavier Féron · IRCAM (Ressources Brahms) ▶ Listen at the source ↗

These performances are variants of the piece and may differ from the score on this card.

Details

Author
ژرار گریزه
Year
1985
Class
New Directions in Music
Type
Music performance
Source
Ganjineh

Ganjineh is the digital library of the Owrang Institute of Arts and Culture. Every record links to a free copy of the work at a reputable archive; Ganjineh copies no text.

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