پشت صحنه: جنبه ه‌ای استقبال یک فیلم. مورد دو فیلم استقلال رومانیا (آریستید دمتریاد، گریگوره برزیانو، ۱۹۱۲) و بقیه خاموشی است (نائه کارانفیل، ۲۰۰۷)

The foreign reader and viewer can find nothing better -or faster, given the exigencies of modern life- than the film as an introduction to the character, history, identity of a nation. With the awards garnered by directors like Cristian Mungiu and Nae Caranfil, new interest has been focused on Romania’s film, community, and history. That is why, an investigation regarding the Romanian early cinema would be necessary in the field of improving education from abroad. The purpose of this paper is...