فانتزی‌های کسی بودن: ظرفیت خود/زیست‌نگارانه‌ی قراردادهای ژست

The article examines the tension between the individual and the collective in current mainstream photographic practice, which is considered within the long-term historical context of commercial portraiture. The individualizing tendencies of this representational tradition as well as its status as (auto)biographical fiction were astutely analyzed by the Russian avant-garde thinkers Alexander Rodchenko and Osip Brik. Criticizing the persistence of “painterly” clichés in studio photography of th...