«یافتن چهره‌ای دیگر در درون چهره‌ام»: نشانه‌شناسی پانتومیم در درام‌نویسی‌های نژادمحور ادگار نکوسی وایت

According to Tadeusz Kowzan, facial mime may be regarded as the system of kinetic signs that is closest to verbal expression. At the same time, as Kowzan contends, mime constitutes —together with gesture— the most personal and individualized expressive mode in the theatre, submitted as it is to the performer’s physical, psychological and actoral idiosyncrasies. In the dramatic production of the Afro-Caribbean playwright Edgar Nkosi White, mimic expression plays a prominent role: indeed, a bro...