نقش عکس در بازنمایی اسطوره شهادت در نقاشی‌ دیواری شهر تهران

This is an essay or article about the practice of martyr murals on the walls of Tehran. It examines how, after the end of the eight-year imposed war, mural painting emerged as a way to keep the memory of the martyrs of the Sacred Defense alive for postwar generations. The practice began in the 1360s and has continued to the present. The piece traces how, in the first two decades after the war, most martyr portraits followed a popular realist style so that the images would communicate directly with ordinary viewers without exaggeration or distortion.