بررسی شکست هاله و اصالت مفهوم زن در تبلیغات عصر پست مدرن و نمود آن در ایران

This is an analytical-descriptive research essay examining woman as object, subject, and significant element within works of art. It focuses on how the concept of woman has evolved within the field of photography and, subsequently, within the Pop Art movement during an era of production and consumerism. To demonstrate the shifting meaning of female identity in this period, the essay applies Walter Benjamin's theory of the "decay of the aura" to explore the concept of reproducibility in the postmodern era, examining how the reproduction of artworks transforms their elevated meaning or "semantic aura."