تخت‌ها، کُنده‌ها، اردوگاه‌ها: گردش‌ها و تکثیرهای اکوفمینیستی در دو رمان از ژان هگلند

Jean Hegland’s Into the Forest (1996) concludes with two sisters and their infant Burl abandoning their family home to embrace life in a neighbouring forest. Western domesticity, symbolised by private bedrooms, is replaced by the plural, biotic community of a centuries-old redwood forest. By taking refuge in a hollow stump, the trio attempts to shed their now obsolete social identity and adapt to a postapocalyptic American West. This process of redrawing the border between inhabited and uninh...