جهانی‌شدن اسپانیایی از دیدگاه مورایو

This open access book examines the work of the 17th-century Baroque painter, Bartolomé Esteban Murillo (1618-1682) – a figure who barely left the city of Seville – as a way of understanding globalization, its consequences, and its limits. Full of saints, friars, virgins, and Christs, or poor people and cheerful pícaros oblivious to social injustice, Murillo's painting has been considered representative of the Counter-Reformation and the exponent of an immobile, even introverted, society that ...