مواجهه مخاطب با فضای شنیداری تعزیه مبتنی بر آرای فلسفی مرلوپونتی

This is a phenomenological research paper that analyzes how audiences experience the acoustic space of Ta'zieh, a form of Persian religious performance. Using Maurice Merleau-Ponty's embodied phenomenology as its theoretical framework, the study employs a descriptive-analytical method with a comparative philosophical approach. It examines key Merleau-Pontian concepts such as embodiment and flesh to explain the unified structure of the audience's experience. The paper argues that embodied phenomenology can account for how hearing, seeing, and touching in Ta'zieh transcend the conventional boundaries between separate sensory modes.