پسوآ فراتخیلی: درباره نیستم هیچی، فیلمنامه منتشرنشدۀ لوئیسا کوستا گومز

Starting from the notion of transfictionality (SAINT-GELAIS, 2011), we propose to analyze Não Sou Nada, an unpublished screenplay by Luísa Costa Gomes, preparatory to Edgar Pêra’s film Não Sou Nada. The Nothingness Club (2023). Envisaged as a secondary fiction elaborated in reference to the primary fiction that constitutes Pessoa’s heteronymy, the screenplay is first analyzed in its narrative dimension, characterized by both spectacular deviations from the Pessoa universe and a number of dieg...